Two comedians with two very different things to stop hiding, expose themselves in turn:
Calvin S. Cato is queer, twenty pounds lighter than he used to be, and willing to do almost anything to perform for more than three people and a sad disco ball. When a friend suggests the Naked Comedy Show, Calvin signs up on the strength of two words: "sells out." He does not ask a follow-up question. By the time he learns what "naked" actually means, he has already invited his entire art gallery.
Uriah Wesman moves to LA to be a one-liner comedian and bottoms out performing in the back of an ice cream shop, where his jokes are so bad they ruin the ice cream. A comedy club GM asks him one simple question about himself, and Uriah casually mentions his parents were in a doomsday cult. Then corrects himself: three cults. Then mentions the kidnapping. Then the sword. Uriah spent years hiding behind a character on stage because if the audience rejected the character, it wouldn't hurt. Putting the real childhood on stage is the risk that actually connects.
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